Zombies and girls (and zombie girls, and girl zombies, presumably) are in the film news lately - as well they should be.
I haven't even seen this documentary, Zombie Girl, yet, but already its star, Emily Hagins, is my new heroine. How could she not be? She's twelve years old, and she's directed her own full-length feature zombie movie. Check it out:
Also, io9's Annalee Newitz just produced an excellent piece on zombie feminism:
Along with other recent indie horror fare like Zombie Strippers, Deadgirl turns zombies into figures for militant social outcasts — preyed-upon women who return to wreak vengeance. Call it zombie feminism. It's a subgenre that goes back to the 1980s, and every time it dies, it just comes back stronger than ever.
The new film she's referring to is Deadgirl, which looks like a great arty horror film. (The trailer is at the io9 link - it's not overly explicit, but still might not be everyone's cup of tea.)
Question for discussion: is it a coincidence that as torture porn and its misogynistic appeal fades from the horror movie scene, there's a revival of female-centered revenge film?
He started with financing difficulties for indie films. "I took my ass on a plane to Europe and got the financing for this film," Lee said of his latest joint, the World War II drama "Miracle of St. Anna." "So, as Malcolm (X) said, the struggle is far from over."
Lee continued on what he called his "little tirade," addressing the African-American industryites in the audience and telling them it didn't matter what kind of car they drove or how big their houses are, "we're way behind in film."
The author of the article keeps framing Lee's quotes as "jokes" and "quips," but I don't think he was joking. If an established and honored director such as Lee can't even get films financed, what are chances of currently unknown minority directors doing the same?